Deryck Cooke

Deryck Cooke (14 September 1919 – 27 October 1976) was a British musician, musicologist and broadcaster.\r

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Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 32. There are one or two motives (Ex.162-8) (口白)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 4. A number of further motives (Ex.17-21)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 31. One further motive connected (Ex.158-61)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 1. Of all great musical compositions (Ex.1-4)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 2. The fundamental symbol (Ex.5-11)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 5. A second, much smaller family (Ex.22-25)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 6. So much for nature (Ex.26-38)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 7. The cause of the deterioration (Ex.39-44)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 9. Several other motives (Ex.49-52)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 10. Two further motives (Ex.41,53-61)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《11. Basic motive associated with the spear (Ex.62/68) (Ex.62/8) (Ex.62/8)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 12. Along another, more complex line (Ex.69-72)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 13. In Act 2 of "Walküre" (Ex.69,73-75)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 14. Returning now to Act 2 of "Walküre (Ex.76-79)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 15. Love is another of the central symbols (Ex.80-83)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 16. Later in the same scene (Ex.84-87)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 17. Freia's motive has 2 independent segments (Ex.88-91》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《18. The label "Flight" (Ex.92)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 19. When Fasolt, in Scene 2 of "Rhinegold" (Ex.93-8)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 20. A little later in this interlude (Ex.99-103)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 21. The other new motive (Ex.104-09)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 22. There are several independent love-motives (Ex.110-》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 23. The characters in whose lives (Ex.115-120)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《24. One further motive belongs (Ex.121)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 25. The sword motive recurs (Ex.122-130)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 26. Ironically, this phrase (Ex.131-5)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 27. Closely associated with Gutrune's motive (Ex.136-40》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 28. Here we come to the end (Ex.141-6)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 29. Complementary to this symbol (Ex.147-9)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 30. One last central symbol (Ex.150-7)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 33. These motives of Alberich & Mime (Ex.169-71)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 34. Quite a number of subsidiary motives (Ex.172-6)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 35. Besides this family of motives (Ex.177-80)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 36. Our final example (Ex.10,181-2)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 37. In the final scene of "Götterdämmerung" (Ex.181-3)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 38. Even more masterly (Ex.184-8)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 39. Now if we return (Ex.189-91)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 40. This masterly way (Ex.192-3)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 3. Returning now to the Nature Motive (Ex.12-16)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 8. The other transformation (Ex.45-48)》
Léopold Stokowski&Deryck Cooke《Leopold Stokowski in Conversation with Deryck Cooke》
Léopold Stokowski&Deryck Cooke《Leopold Stokowski in Conversation with Deryck Cooke》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke: 18. The Label "Flight" (Ex.92)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke: 4. A number of Further Motives (Ex.17-21)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke: 12. Along Another, More Complex Line (Ex.69-72)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke: 17. Freia's Motive Has 2 Independent Segments (Ex.88-91)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke: 24. One Further Motive Belongs (Ex.121)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke: 5. A second, Much Smaller Family (Ex.22-25)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke: 3. Returning Now to the Nature Motive (Ex.12-16)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke: 16. Later in the Same Scene (Ex.84-87)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke: 13. In Act 2 of "Walküre" (Ex.69,73-75)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke: 9. Several Other Motives (Ex.49-52)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke: 22. There Are Several Independent Love-Motives (Ex.110)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke: 20. A Little Later in This Interlude (Ex.99-103)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke: 15. Love Is Another of the Central Symbols (Ex.80-83)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke: 1. Of All Great Musical Compositions (Ex.1-4)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke: 33. These Motives of Alberich & Mime (Ex.169-71)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke: 27. Closely Associated With Gutrune's Motive (Ex.136-40)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke: 7. The Cause of the Deterioration (Ex.39-44)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke: 35. Besides This Family of Motives (Ex.177-80)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke: 29. Complementary to This Symbol (Ex.147-9)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke: 8. The Other Transformation (Ex.45-48)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke: 37. In the Final Scene of "Götterdämmerung" (Ex.181-3)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke: 26. Ironically, This Phrase (Ex.131-5)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke: 2. The Fundamental Symbol (Ex.5-11)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke: 39. Now if We Return (Ex.189-91)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke: 34. Quite a Number of Subsidiary Motives (Ex.172-6)》
Deryck Cooke&Wiener Philharmoniker&Georg Solti《Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke: 31. One Further Motive Connected (Ex.158-61)》

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