旁边在地下

一个权威的，当代的北京地下音乐选本：从“**玛丽链”的四四拍失真摇滚血统，到抛开吉他和歌词的无浪潮实验，再到饱受“银苹果”影响的合成器操练，还有最冷僻的德国老摇滚曲调，一直到浓重的“地下丝绒”式集体创作和无调性碎片，就像是从一个嗑药的梦幻中听到的全盛期的“黑旗”⋯⋯这些音乐家吞吐着噪音摇滚，也消化着几十年来的电子实验，他们创造出一个迅速发展，变动不居，而又足够中国的音乐场景。\nAn authoratative sampling of Beijing’s contemporary musical underground. From fuzzy, 4 on the floor rock descended from Jesus and Mary Chain, to the sparse guitars and linguistic experimentation of No Wave, to synth exercises influenced by Silver Apples and the most esoteric strains of Krautrock, to dense Velvets-esque group compositions and atonal shreds that sound like post-My War Ginn heard in a ketamine dream… these musicians respond to rock-based noise and electronic experimentation of the last several decades to create a scene that is rapidly growing, constantly changing, and distinctly Chinese.