Indochine

奥斯卡最佳外语片、最佳女主角提名 恺撒奖最佳女主角、最佳女配角、最佳摄影、最佳音响、最佳场景设计 最佳影片、最佳导演、最佳服装设计、最佳剪接、最佳配乐、最佳男配角、最佳新人提名 金球奖最佳外语片 　　雷瑞·瓦尼埃90年代的第一部电影，也是他的第一部史诗片，表现二战后，法国人在最后殖民地度过的最后岁月。片中出现了异国风光，战争和革命，角色有军人、殖民地地主、土著仆人、民族主义者，雷瑞·瓦尼埃让每个人都展示了身份之外共同的人性。 　　橡胶园主凯瑟琳·德诺芙爱着军人樊尚·佩雷，军人却爱上她的土著养女，养女投身独立运动，军人为了爱人背叛了祖国。这一对情人在生下一个孩子后被捕，他们的故事在印度支那流传。在樊尚·佩雷被押回法国受审的前一天，他把儿子留给德诺芙抚养，随即自杀。1954年，法国在巴黎签订条约，正式承认印度支那独立，德诺芙站在塞纳河边，凝视滔滔逝水。 　　凯瑟琳·德诺芙留在本片片尾的背影令人难忘，战争、革命、政治的大漩涡卷走了她的一切，但她只是优雅地默默承受。 Indochine crystallizes Patrick Doyle's lush, profoundly romantic approach to the art of film scoring. Essentially the blueprint for the next decade of the composer's career, its beauty and power nevertheless remain undimmed by subsequent variations on its formula. What immediately leaps to the fore is Indochine's grandiose sound, the product of a 120-member orchestra. Sweeping strings dominate, but bursts of brass and rumbling percussion take their turns in the spotlight as well, and the sheer epic scope of Doyle's vision is impressive in and of itself. But upon deeper listening it's the melodies that shine brightest. Bold, lyrical and expressive, the music captures Doyle at the peak of his compositional prowess, with an emotional intensity unmatched across his other scores.